PUBLICATIONS

MONOGRAPH

Cartographic Abstraction in Contemporary Art: Seeing with maps (2018) Routledge Advances in Art and Visual Studies

     Based on my doctoral thesis, this book draws on theories of real and social abstraction to theorize ‘cartographic abstraction’ as a distinctive modality of thought and experience constituted through the cartographic image. Revolving around close readings of selected contemporary artworks concerned with cartographic representational techniques, this research posits a series of ‘viewpoints’ as forms of cartographic abstraction. These viewpoints are shown to posit and construct the viewing subject in a range of embodied and de-embodied viewing positions, revealing cartography’s abstracting capacities as a form of social abstraction.

Chapters: 

Introduction - From critical cartography to cartographic abstraction: rethinking the production of cartographic viewing through contemporary artworks (now available to read online)

Chapter One – Reconfiguring the view from nowhere: collage and complicity in Targets by Joyce Kozloff

Chapter Two – The drone’s eye view: networked vision and visibility in works by James Bridle and Trevor Paglen

Chapter Three – Remote viewing, cartographic abstraction and the antipodes: three works by Layla Curtis

Chapter Four – Signification in the soundscape: Bill Fontana’s River Sounding

Chapter Five – Cartographic abstraction: a material modality of thought and experience 

ARTICLES & chapters

FORTHCOMING Digital Narcissism and GPS Selfies: The Entry of the Self (2023). In Routledge Handbook of Cartographic Humanities

NEW Seeing the Penal Colony Through Heritage Trail Maps: Global Connections and Local Views of the bagne in French Guiana and New Caledonia. (2023). In Framing the Penal Colony: Representing, Interpreting and Imagining Convict Transportation (pp. 133-151). Cham: Springer International Publishing.

‘Ways of seeing the penal colony: New caledonia and french guiana / façons de voir le bagne: la guyane et la nouvelle-calédonie’ (2021) Living Maps Review 11. Available at: https://www.livingmaps.org/claire-reddleman-mw-11

‘Disrupting the Cartographic View from Nowhere: “Hating Empire Properly” in Layla Curtis’s Cartographic Collage The Thames (2019) GeoHumanities, DOI: 10.1080/2373566X.2019.1631203

‘Sexual harassment on campus: an alternative view’ (2016) Wonkhe.com

‘The deep mapping of Pennine Street: a cartographic fiction’, Humanities 4 (2015) pp.760–774, doi:10.3390/h4040760

‘Vampires, Foetuses and Ventriloquism: Metaphor as a Representational Strategy in Capital Vol. 1, Socialism and Democracy 29: 2 (2015) pp.25-40, doi 10.1080/08854300.2015.1037604

Corble, A, Dabiri, E, Halasz, K, Kennedy, S and Reddleman, C (2012) ‘The art of letters: An epic journey of intimate thought and exchange’, Journal of Writing in Creative Practice 5: 2, pp. 251–274, doi: 10.1386/jwcp.5.2.251_1

REVIEW

Review of Tourists, Signs, and the City: The Semiotics of Culture in an Urban Landscape' by Michelle M. Metro-Roland Burlington, VT: Ashgate, 2012, published in Journal of Cultural Geography, 2013, Vol. 30, No. 2